Father and Son Hats

The hat renaissance I wrote about last post continued into this week and I’ve learned a thing or two.

First of all I made a hat for Sean earlier in the week. It’s Stephen West’s Windschief, a hat I’d never seen before but apparently nearly 2000 people on Ravelry have. So I’m a bit slow on the hat uptake! I used some leftover Cascade 220 in the gorgeous Mallard colour.

blue hat

It was a fun, quick knit. A few bus trips and an evening and it was done. Two days in fact. There were lots of comments on other projects about having difficulty getting length right. That’s because the rib section ends up much longer than plain section at the back and determining which part to measure is a bit of a bugger.

Truth be told it is a bit long for him and could have stopped a good half inch before the crown shaping. But he likes it and I’ll know better next time.

Then, knowing Sean’s dad was coming for the weekend to help us with some yard work (and eat and drink with us! Something we always do well together) I buckled down to make him a hat. I almost repeated the windschief but decided to try something else. This time it was The Boy Hat, another popular pattern and a freebie. It’s a nice 4×4 rib pattern that ends nicely on the crown. I really like the way it all flows to the finishing point. This is also Cascade 220. Great hat yarn!

grey hat

I really had a feeling my father in law had a small and not particularly long head, which I still think is true now that I’ve put the hat on him but it could have been a bit longer. I’d been afraid of repeating the ‘too long’ problem with Sean’s hat and so erred on the side of caution and his dad’s hat came out a bit too short.

He said he liked it but I think when I saw him working out in the freezing temps yesterday wearing a hat I made him about seven years ago, which is paint splattered and dusty but sits down well over his ears, I knew that if I make another one for him it’ll need to be longer.

hats

It may look like they’re both dozing in the sun but actually they were trying their hardest not to crack up at the idea of being asked to pose side by side. There were wise cracks galore and much pretence that this was embarrassing and silly, but actually I think they enjoyed indulging me.

After I worked all week on their hats (and cooked big, hearty meals for them) it was the least they could do!

Bells

Star Queenie

I’m in the middle of some big projects which need long bouts of knitting to see much progress. There’s not a lot to say about them yet and I’m struck with a sense some days of not much forward motion.

That kind of knitting is satisfying in its own way, but it doesn’t feed my deeply held need to be constantly finishing things.

Enter my own personal hat renaissance. Why have I never bothered with hats much? I’ve pondered this and I think it’s because I knitted beanies when I started knitting and while they were good to learn on, and always well received, I soon grew bored and have continued to see them as basic knitting without much oomph or fun.

Then I knitted a couple of berets. I decided I liked knitting them and, surprisingly, also wearing them. They were fast and fun and there were more possibilities out there than I’d ever really noticed. It sent me off in search of other hats.

I came across a collection of 20 kids hats by great hat designer, Woolly Wormhead, called Bambeanies. It’s full of great and striking patterns in a range of styles but the one that caught my eye from the start was a pretty little number called Queenie. It was, as you might have guessed, earmarked immediately for Alice, whose mum asked me for a new hat recently.

Here it is. Started Friday night, finished Saturday night, it’s a winner, made from a single ball of delicious Zara.

Great new hat. Queenie by Woolly Wormhead.

The other thing about hats that I never really factored in before is the way they use up random balls of yarn you have in your stash – the ones where there isn’t enough to make anything substantial so they languish. It strikes me as so astoundingly obvious now and yet I never looked at random balls of yarn and thought ‘hats’! Crazy. I don’t know how old this ball of grey Zara is – I’m guessing possibly five years. I had two balls and I’m so glad one of them is finally used up for Alice.

She calls it her Star Hat because of the way the crown looks.

queenie top

You know the other great thing about this hat? I’d say about three of the stitches were made by Alice herself. Something has changed recently – she gets what I’m doing. She actually looks on and asks if what I’m making is her for her. She takes the needles in her hand (note to self: avoid this when knitting complex lace) and with my hands over hers we knit stitches. After a weekend of this, I half expected her to tell her parents today that she made it!

I think the knitting lessons can’t be far off. OK, maybe a year or two. I think I was five when I learned the first time and produced a crooked, holey scarf for my dad.

Part of the reason I rushed this hat was because she was here and I wanted to give it to her straight away. But I also wanted us both to have hats to wear to the Old Bus Depot Markets Celebration of Wool day today.  She came along, draped in knitwear (as was I) and learned to smoosh skeins of yarn like a pro. ‘Mmm smooshy’ she’d say. Heart melting.

queenie

Just perfect. I have two more hats either on the go or lined up to go (for Sean and a friend). I just never thought I’d feel this way about them. It’s unexpected and rather nice!

Bells

Little Miss Greenjeans Cardigan

Dear Alice,
Because you’re three and don’t yet have terribly strong ideas about what you want to wear (unlike everything else in your life, about which you have very fixed views) I think I can get away with knitting matching cardigans for us. Just for fun.

One day, many years from now, I imagine this will be the last thing you’ll accept from me, but right now I’m getting away with it and you did seem so happy when I gave you a new cardigan this morning and we saw that we matched.

matching cardigans

“We’re the same!” we declared when I put it on you and we had a big hug. You didn’t know or care that the patterns weren’t the same. You just wondered why you had different buttons to mine.

Then we headed out into the cold autumn wind, both rugged up in our lovely red woollen cardigans and enjoyed a day at the Collector Pumpkin Festival.

Alice meets a scarecrow.

You met some kid sized scarecrows and called the little stone church a castle. You made a beeline for the giant pumpkins and posed while the ABC TV crew filmed you. You had no idea.

alice and pumpkins

Best of all you got to fly a kite in that cold, biting wind. It was all you wanted. The long string of kites was tied to the ground and you and all the little kids who joined you thought you were really sending it into the air. It was the closest you were going to get to really flying a kite and you were so, so happy.

Kite flying in Collector.

Today was great fun. You were fabulous company and as we walked along holding hands and wearing matching cardigans, I felt so very proud to be an aunt who knits for someone so happy and lovely.

You may not always want to wear matching knitwear with me, but I hope I’ll always get to knit for you.

Love Aunty Bells
xo

ps her cardigan is made from the leftover Bendigo Rustic 12ply from my Seamair cardigan. It’s a mini version of the well known Mr Greenjeans cardigan. It’s called Little Miss Greenjeans and I made it in five days. Truly a fast and satisfying project! The sleeves are a little long but that just means it might still fit her next winter!

Seamair Cardigan

For the last few years, winter has turned into a bit of a Cardigan Marathon and this year, I feel like I’m off and running in good time because my first cardigan for the cooler months is off the needles and ready to wear!

This is a cardigan I’ve been eyeing off since it was first released. It’s Seamair by Amy Herzog – the woman responsible for the Fit to Flatter series, which I highly recommend. What she doesn’t know about  shaping and fit – well, she knows a lot and it shows in her designs. I was drawn at once to the flattering way the cables worked down the length of the body.

Here it is from the back. I feel like the arms a little baggy but I’m not too bothered.

seamair back view

There is waist shaping, just vertical darts in the usual places, but the way they draw the cables in is really nice, I think.

seamair1

From the front the cables work the same way and if I could get the buttons, which are placed inside the placket, to stay done up you’d see that, but I can’t. I’ll have to tighten the holes a little bit with a couple of stitches to bring them.

Here’s some cable detail for you to see. It’s a lovely 6 row, easily memorised cable stitch. I got into a nice rhythm with it early on and settled right in for a comfortable and enjoyable knit.

seamair detail

Here with this side view you can see the cable detail in the lower sleeves. I really liked that. Just something to add a flash of interest.

seamair side view

I used Bendigo Woollen Mills Rustic 12ply for this, in the colour Radiant, which has been in the stash for a couple of years. Madly, I bought five 200g balls of it and used just on 2.5 so I guess I have plenty left over. I predict Alice and Willem will receive garments made from the rest!

I know some people really don’t get the Bendigo Rustic thing – they feel it’s scratchy or just not garment worthy but for my money it’s as good as Cascade 220 – which is my usual winter staple. The only difference for me really is that the colours in Cascade 220 are many and varied, whereas Bendigo, as we know, has a more limited palette.

My first cardigans, way back in 2003 or 2004, were made from Bendigo Rustic and I’ve never minded it one bit. It’s worn really well over the years and does soften up nicely. The thing is you never wear it right next to your skin anyway since winter is all about layering so even if there is a tiny bit of scratchiness to it, it’s not like it’s supposed to be worn with nothing under it. For Canberra’s bitterly cold winters (I know, northern hemisphere bloggers are saying WHAT?) it’s a great weight.

I loved so much of the detail in this, especially the tubular cast on – which is a first for me. It makes for such a stretchy, neat edge on all pieces – I haven’t knit a cardigan in pieces for several years and had to go researching it all over again to remind me of the best ways to sew it up. I still think I could learn a lot there and could improve but each time I seam a garment I get a little more confident and better at it.

I started knitting Seamair in February. I put it down for the month of March, which was all about gift knitting, and picked it up again in early April, finishing all three remaining pieces in just over two weeks (a week off work with illness helped!). Knitting in 12ply on 5.5mm needles does make a project go fast!

There aren’t many versions of this on Ravelry. Only twelve. I really don’t understand why since Amy Herzog is so well known and her patterns are so great. I hope more people make this. It’s lovely and such a fun knit, which is something I needed after the difficulties I faced in Willem’s vest!

seamair 2

I love cardigan season!

Bells

Recognition

In all the time that Alice has been part of our lives, I’ve been knitting for her and around her. I can’t imagine there’s ever been a time when she saw me and I didn’t have knitting needles in my hand even for a few minutes.

And yet she’s never mentioned it. I have struggled to think of a time when she pointed out what I was doing or showed an interest  but it’s never happened until recently. Last week when she was here she found a crochet hook in the lounge room and asked what it was. I got some yarn and made a little chain. She watched. She took the hook in her own little hand and waved it around the yarn, got bored and walked away.

It was a tiny moment, short lived, but enough to make me wonder if maybe at last she’d noticed I’m always doing this thing with stuff in my hands.

I wouldn’t say I’m desperate to pass on the love of making things to her – if she never knits or crochets or sews it’s ok. But it’s struck me that in all the time it’s been going on right in front of her, it jus doesn’t register and, you know, being three she asks about everything. Everything. All the time. But not this. It makes me pause to think.

Then recognition came in the strangest and loveliest way. There’s a book she loves. It’s called The Gruffalo. Do you know it? A lovely book about a little mouse and his encounter with a beast in the deep, dark woods. It’s a clever story. She adores it. Recently we saw the little movie and the movie of the sequel and we were all delighted.

I found a stuffed toy of the Gruffalo and knew I had to buy him for Alice. Here he is.

gruffalo

He’s a cute, cuddly monster. Here’s how Alice looked when she met him.

alice and gruffalo

To say she was happy is an understatement. Instant love. Very gratifying.

But for me, the best bit was yet to come. A little while later she said, and I’m still not sure if it was a question or a statement, ‘Bells made it!’

Really? She thought I made the Gruffalo? What a lovely, inflated view of my skills she has. Or as RoseRed said, Alice can’t distinguished between bought things and things I’ve made.

Either way (and who knows all the time what goes on in the strange little minds of toddlers anyway!) what this proved to me is that after all the cardigans, all the dresses, all the cakes – every little hand made thing I’ve given to Alice in her three short years, the fact of what I do has at some point sunk in.

Alice knows I make things and that I make things for her.

It’s the loveliest kind of acknowledgement. I’m happy now that she’s never asked what I’m doing when I sit with her and knit. She doesn’t have to ask. She just knows.

Bells

Zigvest – Or how I nearly destroyed a piece of knitwear

I’ve just spent three wonderful days with my eight year old nephew, Willem. He came from interstate to stay for the school holidays. He left this morning and the house is oddly quiet and empty (although I’m feeling unwell so the peace and quiet will do me good, I’m sure).

I worked hard to finish what should have been his birthday present in time for his visit, and I got there, but how I got there is a tale of woe. I’m not sure how to write about it without sounding like I’m trashing a pattern and a great designer so I’ll be careful, because the designer is someone whose work I respect and admire.

Here is the finished item – the Zigvest - made from Rowan Felted Tweed I’ve had in my stash for a while. It looks great but I found it hard to work the cables in this yarn. Something smooth and in a solid colour might have been better.

zigvest1

The designer, Tikki, has been my favourite children’s knitwear designer for the last year or so. I’ve made lovely patterns of hers like Olearia, Jane and Acacia. They’ve all been clever, fun and quick and highly wearable. So I prepared to knit my first boy pattern from her collection with great anticipation. It didn’t really live up to expectations. Whether it was because I wasn’t concentrating (it’s been known to happen!) or it just didn’t gel, I’m unsure, but from the moment I began the zigzag cables I found they didn’t stick in my mind and I had to refer back to the lengthy pattern over and over again, flicking backwards and forwards and never quite getting it right.

vest detail

Then I started over. Twice. I almost gave up but I didn’t because I hate to be defeated and I really thought it was just me. No one else on Ravelry seemed to encounter problems.

Eventually I got the body done and decided on the collar style neck (it has two options, a v neck and a collar). How I wish I’d chosen the v neck. Without going into lengthy detail, the collar has odd instructions (which Tikki says in the pattern is fiddly – she wasn’t wrong) and it just never sat right but I was happy enough with it.

Then I tried it on him. Willem has that typical large dome shaped head some boys have. It wasn’t going to go over his head so I decided to cut a steek in the back of it. I’ve steeked before, and it was successful but it was four years ago and quite a different experience. Then I knitted something that had a panel worked into it meant for the steeking. This time I was doing it after the fact and well, it all went a bit wobbly. Here’s a photo to show how it looked when I first cut it.

steek

Yes, I know the red yarn really stands out but I couldn’t see how to work a steek in the same yarn and not mess it up entirely. I wouldn’t have been able to see where to cut as easily and I thought the red might be a nice flash of contrast.

All was fine until minutes later when bits of it began to slip out of the crochet chain and it was all so distressing I threw it aside and decided I’d screwed it up and that was that.

A couple of reassuring conversations with my support crew (RoseRed and Tanya in Brisbane) and I pulled out the sewing machine, ran a zigzag stitch inexpertly along the edges and secured it. For extra support I crocheted in the brown yarn (Rowan Felted Tweed) around the opening to make it stick. It’s bulky and ugly but it holds and I hope never to have such a shockingly bad knitting experience again – but undoubtedly I will some day.

Here’s a back view where you can see at the neck, it’s unsightly but it holds. I’m too ashamed to post an up close photo of my dodgy surgery. It holds, it fits. That’s the main thing. And I can learn a lot from this hideous experience.

zigvest back

I’ve learned that I probably should have ditched it when I was having so much trouble and just knitted him a hat. We’d all be a lot happier.

zigvest

But he’s my lovely, handsome boy and he’s grateful for handknits and he does look so great in brown felted tweed. He finds the neck a bit itchy though so I’ve learned that from now on, Willem gets only the smoothest, softest yarns near his throat. He deserves that.

Next time round, I hope to make him something that results in enjoyment for both of us.

Truly I don’t want to rubbish this pattern because plenty of people have loved it. I think it’s just a case of, as the cliché goes, ‘it’s not you, it’s me.’ At 28 pages, and written for two different yarn weights, it became cumbersome at times to read the pattern. I know that’s where I failed a few times. Lesson learned: read the pattern through entirely and be really, really careful to make sure you understand all the next steps. It’s near-fatal to not do this.

So this pattern and I just didn’t not mesh. But the result is pleasing enough that I can look at it and feel some pride that I stuck it out.

Bells

ps a note on problems with commenting – a few readers have told me they are finding they can’t comment on posts because WordPress won’t let them. I have looked into this and I’m yet to find a reason why it’s happening. I’m sorry for that. But thanks for letting me know and if anyone who uses WordPress knows how to fix it, please let me know.

Rustling Leaves Beret

A little while ago when the book Coastal Knits was released, I knew that as soon as I bought it, or soon thereafter, I’d make the Rustling Leaves Beret. As RoseRed and I have said many times, a knitted leaf motif is pretty hard to go past and this beret was about nothing if not the shape of a leaf.

beret3

I began it last Tuesday and finished it yesterday (Saturday) morning. An utterly delightful little quick project made from Bendigo Woollen Mills ‘Luxury’ 4ply in Autumn Glow – a long ago gift from Amy in Rhode Island. Yes, someone in Rhode Island bought me wool from Bendigo. Long story.

beret4

I was worried when I finished it that it would be too small. It was a puckered, silly looking thing when I finished it but a soak and a stretch over the largest dinner plate I own and it was right as rain. It helps that, as I’ve discovered before, the lovely soft Luxury has a tendency to grow. This grew a lot.

beret1

I noted the last time I made a beret, that having had no idea how to wear a beret when I was a Brownie has meant I’m not entirely sure I’ve got it right now either, but I’m enjoying playing around with the way it sits, and the possibilities on offer for bad hair days.

beret2

And isn’t the colour just perfectly autumnal? As much as I wished I’d had something in a pale sage green, which was what I fancied, I couldn’t go past the obvious thrill of a beret called Rustling Leaves made from something in so richly and vividly autumnal.

It’s a new thing, this hat making lark. Why did I never realise before now that they are such a great quick project, a way to knock something over fast when a bigger project is weighing me down? I see more of them on the horizon, hats generally, which I’ve long dismissed as dull. This was far from dull. Just fun from beginning to end. Can’t beat that.

Bells